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À la Maison des femmes, on soigne les femmes victimes de violences. Ailleurs elles sont menacées, brutalisées, violées, mutilées, leurs souffrances ignorées. Ici, elles sont écoutées, soutenues, aidées, crues. Diane, Manon, Inès, Awa et les autres leur donneront le bras jusqu’à ce qu’elles puissent se relever. En équipe. Quitte à risquer leur propre équilibre.

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Owls are known as the world's smartest animals, and no owls in the world is smarter than John and Ulrik - at least not if you ask John and Ulrik himself.

Decadence is a cyclical circumstance moving with the turns of the centuries. Following a four-season study of glamour in the millennial age, the Spring-Summer 2019 Artisanal collection marks a new investigation for Maison Margiela. Observing the excess and artifice engendered by the digital world, creative director John Galliano ventures into a new era of decadence. The overstimulation of computer-generated imagery alters reality and degenerates the truth. Chaotic and unsettling, it is a confusion of the senses rooted in an over-satiation that inevitably overspills. For the generations born around the millennium, it breeds a spirit of le malaise de la fin du siècle. Revolution: a desire for change. Maison Margiela renders the decadence of our time and examines if inverted excess could lead to a new appetite for restraint.

Bogotá, 1980. During the government of President Turbay. An urban cell of the M-19 invades the Embassy of the Dominican Republic, taking 14 ambassadors as hostages. They demand that they be exchanged for political prisoners. The film focuses on the events that took place during those two months of captivity.

One of the most screwball TV shows of Spain.